Welcome to a quick overview of some current works.
Featured Bodies
Sycorax’s Tempest
Latest News: In January 2026, developed trios and duets from my ballet Sycorax’s Tempest with Royal Ballet Upper School, UK, as part of a Keynote I am giving there on March 22nd, 2026 at the Royal Ballet School’s centennial celebrations.
Sycorax’s Tempest reimagines Shakespeare’s The Tempest through the eyes of Sycorax, drawing on the concepts of Sylvia Wynter. No longer an unseen figure, Sycorax becomes the island’s sovereign soul, rising from the sea to shape the fate of her child, Caliban, and free the island: themes of reconciliation.
Below: is a short video the Royal Ballet School made of our rehearsal processes.
Link to more projects on Bodies Page
Featured Sites
Space+Dance+Digital (S+D2)
Latest News: Dance for digital sites, AR choreography. I am beginning a collaboration with children’s hospitals and Invincikids to bring the Space+Dance+Digital (S+D²) project as a resource for outpatients. S+D² is a dance project that creates choreography experienced through Augmented Reality (AR), allowing young people to explore dance as an immersive and interactive.
Below: a short film introducing the making of the first AR choreographies. These first performance works have gone on to lead the way for further works and further refining of the user/audience experience.
Link to more projects on Sites Page
Featured Words
Tentacular-feminine-body as city archivist: an interdisciplinary methodology across dance and urban planning (Open Access Journal Article)
Latest News: August 2026, my article written with Dr Elahe Karimnia is published in Feminist Encounters: A Journal of Critical Studies in Culture and Politics
This paper introduces the tentacular-feminine-body as an embodied methodology for exploring archives as relational constituted in the encounters between citizen and city. Rooted in Black/endarkened feminist thought and developed through an interdisciplinary research partnership in dance and urban studies, tentacular-feminine-body resists hegemonic framings of place-making that erase or distort marginalized perspectives.