This book was born out of my Theatrum Mundi Fellowship. I undertook activity in the form of exchanges of movement ideas generated in cross-practice conversations and workshops with dancers, musicians, architects, and engineers. Events took place at key cultural institutions such as the Royal Academy of Arts, London, and The Lowry, Salford, as well as on-site at architectural firms and on the streets of London. I engage with dance’s offer of perspectives on being in place: how the ‘ordinary person’ is facilitated in experiencing the ‘dance’ of the city, while also looking at shared interdisciplinary questions and (spatial practices) understandings in and about the body, weight, and rhythm. I prioritize discussing how embodied knowledges across dance, architecture, and engineering can contribute to decolonizing the production of place – in particular, how dance and city-making cultures engage with female bodies and non-white bodies in the era of #MeToo and #BlackLivesMatter. I conclude the book with four in response conversations about ideas raised in the book with Urban Designer John Bingham-Hall, choreographer Liz Lerman, choreographer Dianne McIntyer, and sociologist Richard Sennett. The book aims to be a resource for those drawn to spatial practices from dance to design to construction.