Home Dancing Place: scores of the city, scores of the shore

Dancing Place: scores of the city, scores of the shore

image of the book cover asa book and on a reading tablet. The book cover image is of moist seaweed extending across warm sand.
February 2026.

Written with Dr Helen Kindred and drawing on our five-year practice-as/is-research collaboration, Concrete-Water-Flesh, this book explores how dance practices highlight embodied relationships with the environment.

This is dancing as dialogue: a study of movement and place that explores the fundamental entanglement of humans and the environment through dance.

Dancing Place: Scores of the city, scores of the shore intertwines dance ethnography, Black feminism, and a new materialist lens to explore movement scores as methods and tools for a practice of eco-somatic, place-based art-making. The book examines research processes that explore somatic awareness, offering choreographic movement scores as methods for sensing and belonging within the world around. Dancing Place blends scholarly text, storytelling, and poetic prose to discuss embodied dance methods that offer a reflective engagement within the environment, establishing a framework for understanding how movement both emerges from and shapes the places we inhabit. An essential resource for dance practitioners, spatial planners, ecologists, and environmental scholars, Dancing Place opens pathways for understanding dance as a method of reciprocity and deep relational practice.

This is a beautiful book! Akinleye and Kindred articulate a trans-corporeal practice of site-specifi c dance, inviting us to imagine new worlds where cities and seashores are danced as modes of connection and community. This is an inventive, provocative, and inspiring text that culminates in a manifesto for creating choreographic scores as methods and practices for ecosomatic, place-based research that embraces relationality and collaboration across bodies and places.

– Stacy Alaimo, author of Bodily Nature, Science, Environment and the Material Self
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